11/27/2023 0 Comments Travis scott days before rodeo songs![]() It was released for free on August 18, 2014, by Grand Hustle Records. Everyone incorporated a little of what Travis did from 2014 to 2020, while Kanye seemingly moved on from his own experimentation by his next album, 2016’s The Life Of Pablo.Days Before Rodeo is the second mixtape by American rapper Travis Scott. In fact, Travis Scott’s sound was the one that seemed most in-demand, spawning a horde of imitators and collaborators from Future and Nav to Quavo and Young Thug. The culture, whether you believe it’s a hivemind or an algorithm or just advertising dollars being spent, went in other directions. Some critics loved it, some listeners hated it, but the thing is, there has never really been anything else that sounded like it in hip-hop since - until now. The thing is, Yeezus, for better or worse, was never really in style. Rather than the zoned-out groove of Astroworld, we’ve got the twitchy, nervous energy of Kanye right before his first breakdown, when it seemed like he stopped trying to impress us and started trying to see just what we’d let him get away with. Like Yeezus, Mike Dean’s fingerprints are all over Utopia distorted drum breaks blast through “Hyaena,” ghostly, stripped-down synths under-gird “My Eyes,” even a broken Nina Simone sample appears on “I Know?” It’s like Travis and Dean took the maximalist-minimalist approach from Yeezus and wrought it on a more massive canvas. Even worse, the album Travis chose to channel was one of Ye’s most controversial: Yeezus, the mercurial Chicago producer’s 2013 attempt at being deconstructionist and avant garde. Unfortunately, it’s at a time when Kanye is not the hero to the world at large that he once was. ![]() In the case of Utopia, the common consensus appears to be that Travis is once again being moved by the spirit of his greatest inspiration, Kanye West. In a decade or so, it’ll be back in style with a vengeance. It’s said in the fashion world - another realm in which Travis has always appeared to be intensely interested - if something goes out of style, just wait. Maybe it’s a dud or maybe, as with so many works of true genius, it’s just too ahead of its time. On the other hand, it seems like Travis has once again presented a project that is the sum of its influences, without being sublime enough to portend the future of the culture and the genre. It’s obviously forward facing, positing a view of hip-hop very different from its current trajectory. The thing is, I’m not sure in which direction. Now, five years after Astroworld, Travis finally presents his vision of Utopia - and it seems that his aim, once so very true, is off for the first time in his career. ![]() Then, just when it seemed things might be getting back to normal, Travis’ 2021 Astroworld Festival ended in disaster, and he was semi-forced into a year of exile, just when he was prepared to present the next phase of his stylistic evolution and pay off his potential in full. Travis became the influence instead of just the living mood board showcasing his inspirations. Hip-hop, for the better part of the next couple of years, sounded like Astroworld. Travis’ ascension to hip-hop supremacy seemed certified with 2018’s Astroworld, which finally alchemized all the components and influences he’d always jammed together into more than the sum of its parts. The dude always seemed great at aesthetics and giving the impression of perspective without really having much to say, and that seems to be catnip for the algorithmically programmed YouTube junkies we’re all turning into. It’s sort of a combination of the shoulder-shrugging nihilism of Generation X, multiplied by the molar-grinding anxiety of the millennial generation, cut with the hyperspeed stream of always-on, instantly gratifying internet culture. Starting with his second mixtape Days Before Rodeo in 2014, Travis has embodied the sort of chaotic, disaffected energy anyone born after Y2K finds intrinsic to their nature. The RX is the music you need, right now.įor a little under a decade now, Texas rapper Travis Scott has had his fingers firmly on the pulse of the hip-hop zeitgeist. Inclusion in this category is the highest distinction we can bestow and signals the most important music being released throughout the year. The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year.
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